‘A Tale Dark and Grimm’ full of crafty wit

December 5, 2010 1 comment

A TALE DARK AND GRIMM,” by Adam Gidwitz, Dutton Juvenile, $16.99 (ages 9-12)

Once upon a time …

That’s how all the great fairy tales begin.

Once upon a time there was a brother and sister who became lost in the forest. After awhile of wandering the two come across a home made from sweets.

Having not eaten all day, they sate their hunger by munching on the home. But they are discovered by the home’s owner — a witch in disguise.

The woman takes them in and fattens them up. But she has a devious motive, planning to cook the siblings for her dinner. It turns out the pair is smarter than her and it’s the witch ends up in the oven instead of the siblings.

The End.

Or so you thought.

Turns out that’s only part of Hansel and Gretel’s story. In “A Tale Dark and Grimm,” the siblings wander into eight other Grimm-inspired tales. And these tales aren’t pretty. In fact, some of them are kind of gruesome.

But never fear, the narrator is here, tempering the mayhem with cautions about what’s to come, and commentary on what’s just past.

This description might turn readers away. But that would be the wrong conclusion. This tongue-in-cheek book is full of crafty wit and clever twists. What makes it even more fun, is the stories have come from real-life experience — that of author Adam Gidwitz. Gidwitz taught second- and fifth-graders, and that attention to detail shows.

“A Tale Dark and Grimm” is an enticing step out of the “Once upon a time” fairy tales and into a complex world of fun and imagination.

© 2010 – 2011, Cracking the Cover. All rights reserved.

‘Memory Bank’ full of imagination

December 1, 2010 No comments

“THE MEMORY BANK,” by Carolyn Coman and Rob Shepperson, Arthur A. Levine Books, $16.99 (ages 9-12)

Life hasn’t been easy for Hope Scroggins. In fact, the positive thing about it is her sister, Honey. The girls’ parents are awful. They’re so awful that one day, they just dump Honey on the side of the road.

“Forget Her,” Hope’s parents say as they drive away in a cloud of dust. But how do you forget the best thing in your life? Hope misses her sister so much she becomes depressed. All she does is sleep and dream. She sleeps so much that before long, her parents forget about her, too.

What Hope doesn’t know is that by sleeping all the time, she’s not making any memories

Memory-making is a serious business. Just ask the officials at the World Wide Memory Bank if you don’t believe me. Hope’s accounts are practically nonexistent, and they’ve come to the bank’s attention. Something must be done to fix the disparity and, Hope is whisked away to the land of memories.

The memory bank is full of wonders. There, dreams and memories are recorded, filed and kept safe. It’s a magical place, but there’s a group out to destroy the bank and everything it contains. It’s up to Hope to save the world’s memories and her sister.

“The Memory Bank” is a delightful book full of imagination. Told in a combination of text by Carolyn Coman and drawings by Rob Shepperson, it calls to mind work by Rhoald Dahl, particularly “Matilda.” There’s a buoyant rhythm and balance that plays throughout, making this a fun and energetic read.

© 2010 – 2011, Cracking the Cover. All rights reserved.

Ally Condie talks about creating ‘Matched’

November 26, 2010 No comments

Photo by Brook Andreoli

In December 2009, author Ally Condie signed a three-book deal with Dutton Children’s Books, an imprint of Penguin Young Readers Group. Her first book in the trilogy is called “Matched.”

As a newspaper reporter, I’ve had the opportunity to speak with Ally twice — just after her book deal was announced and just prior to the release of “Matched” — and I think what most stood out was how grounded Ally is. She seems genuinely surprised and humbled by her sudden burst of fame.

She describes the past year or so as crazy, but great.

“It’s starting to sink in,” Ally said. She never had any outside help before, but now has someone who helps with her kids six hours a week, which she says “isn’t very much, but it is a difference.”

“Mostly it’s been learning to manage the different scale of the writing,” Ally said. “I’ve been writing books for a long time, almost 8 years. I’ve been writing for several hours a day. But it’s more. This is bigger. There’s more travel. More people who have wanted to do an interview. It’s been interesting to learn how to balance and I don’t know if I’ve figured it out yet. ”

Ally says the idea for “Matched” — a dystopian romance — came from a combination of experiences, including chaperoning a high school prom when she used to be a teacher and a discussion she had with her husband about defining marriage.

Ally built her new world around the idea of matching. “I felt like, my husband should be credited for that, too,” she told me. “He’s an economist and he said, ‘What if we could write the perfect a logarithm to line people up, like matchmaking?’”

Matchmaking is not a new idea, Ally said. There are websites that purport to do that now. What she did was make it different by involving the government.

From there, she had to build a world that would feel realistic, and that involved asking some key questions. In what kind of a world would this take place? What would need to happen in order for this to be accepted? And what’s going on?

“I sort of built this society that has a lot of good things about it, too,” Ally said, “because you have to be able to see why the people would relinquish control. So I was thinking about things like cancer and other things, that if they really could eradicate, wouldn’t you be willing to sign over some choice? ”

It took Ally about a year to write “Matched” and she began querying it in August 2009. She had an agent in October that same year and a month later, she had a deal.

It sounds easy, but Ally sent out something like 25 query letters. Of those 25 seven offered representation and 18 rejected her outright.

“I got a lot, a lot of rejection,” Ally said. “And there was a point where I was like ‘This is ridiculous, why am I even trying this?’ … Eventually I did get some offers of representation. That was really exciting.”

“Matched” went to auction and ended up at Penguin. And Ally ended up working with editor Julie Strauss-Gabel, a woman whose career Ally admired from afar. “I never in a million years thought I’d get to work with her,” Ally said. “It’s been unbelievable.”

Originally quieried as a standalone, “Matched” was sold as a three-book deal. Ally’s currently in the editing stages of the second book, “Crossed,” and is about 100 pages into the third one, which has yet to be titled.

Though she has about 25 pages of notes, Ally never really knows how they’ll work out. The finished product very rarely resembles an original outline, she said. “It’s taken me a full year to write (‘Crossed’). And I still have a long way to go.”

Some people may be surprised to learn that “Matched” isn’t Ally’s first book. She’s the author of six other books, including “Freshman for President” and “Being Sixteen.” But “Matched” is her first foray into dystopian themes.

“It’s not a contemporary novel, which I’ve always written,” she said. “But I’m the same writer and the books are still, I don’t know, clean. … There’s not a huge departure in style of writing or the content. But it’s a very different setting that I think is exciting.”

“Matched” is a story of growth and choice, Ally said, of a young woman learning to rebel on a personal scale.

“It’s an interesting book to write because all is not well in the society,” she said. “But I’m telling it through the point of view of someone who doesn’t know that yet. So you do get the sense that there’s a lot going on off stage, and she’s (Cassia) going to be a part of that soon, but right now she’s kind of coming into awareness. I did really want it to be a book about this one character and her falling in love and how revolutionary that feels on a lot off different levels.”

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: YA interview, young adult

Ally Condie’s ‘Matched’ stands out among YA reads

November 26, 2010 No comments

“MATCHED,” by Ally Condie, Dutton Juvenile, $17.99 (young adult)

What if choice where not an option, and the government made all your big decisions for you?

What if one of those big decisions was choosing your future spouse?

Total government control is the order of the day in Ally Condie‘s dystopian novel “Matched,” which is the first offering in a three-part trilogy.

Everyone dreams of their Match Banquet. It’s the first time 17-year-olds learn who will be their Match, their future spouse. For Cassia, it’s no different. She can’t wait for the first time she sees her Match’s face.

All across the country teenagers and their parents gather in city halls, waiting for Matches to be announced. Each teen receives a silver box after the ceremony. Inside a microcard containing their Match’s background information.

When Cassia’s name is announced something unexpected happens. She can’t believe her luck when hearing her fate.

It’s not until the next day when Cassia looks at her microcard. “Cassia Reyes, the Society is pleased to present you with your Match,” a voice tells her. Everything’s just as she imagined it would be until touching a link triggers the voice again, only this time, another face appears.

How could the Society make such a mistake?  How can she be matched to two different people? The Society is perfect; at least Cassia thought so. Now she can’t help wondering what other mistakes it’s made.

“Matched” has broader appeal than Condie’s previous works, “Being Sixteen” and “Yearbook,” which are contemporary YA and geared toward a specific audience.

But going big-time hasn’t changed Condie’s voice, which remains accessible. Condie’s writing doesn’t suffer from her wholesome approach, rather it benefits. She’s not trying to be something she’s not, and that follows through from story line to characters.

If anything, Condie’s sensibilities might give her greater crossover appeal with parents not having to worry about what their children are reading and teens not having to worry about hiding it away.

Though it’s tempting to compare “Matched” to Suzanne Collins’ “Hunger Games,” there’s really no comparison. Condie has crafted a unique story that stands on its own merit. She’s created a unique world that feels familiar but has a sense of the unknown.

“Matched” is a polished, driving force that you won’t want to put down. Too bad we have to wait until November 2011 for its sequel, “Crossed.”

 

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: YA review, young adult

‘Mockingbird’ a touching tale of loss and healing

November 26, 2010 No comments

“MOCKINGBIRD,” by Kathryn Erskine, Philomel, $15.99 (ages 9-12)

Kathryn Erskine‘s “Mockingbird” was named the winner of the 2010 National Book Award for Young People’s Literature on Nov. 18.

The award alone should serve as a strong recommendation, but if you still have your doubts, here’s a bit more.

“Mockingbird” is the story of Caitlin, a 10-year-old girl with Asperger’s syndrome. Caitlin’s brother, Devon, is the person who helps her understand the world around her. But when Devon is killed in a school shooting, Caitlin is lost. To her way of thinking, things no longer make sense.

Following Devon’s death, Caitlin hears people tossing the word “closure” around. She can’t forget about it and wonders how it helps heal hurt. Closure, “the state of experiencing an emotional conclusion to a difficult life event such as the death of loved one,” is what Caitlin needs, but where to start?

Caitlin’s world is one of black and white. It’s not until she begins looking for closure that she discovers a spectrum of vibrant colors.

“Mockingbird” is a lyrical story of loss and healing. Told from Caitlin’s point of view, the complexities of death become textured.  Caitlin has a simple, straightforward way of looking at things, and that viewpoint opens new doors and offers a jumping off point for further discussion.

© 2010 – 2011, Cracking the Cover. All rights reserved.

Robyn McKinley’s ‘Pegasus’ defies gravity

November 5, 2010 No comments

“PEGASUS,” by Robin McKinley, Putnam Juvenile, $18.99 (young adult)

Robin McKinley‘s “Pegasus” is a fantasy primer. New worlds and creatures are introduced, as is a new language. McKinley gently introduces readers into her magical world, making the unknown real and the impossible plausible.

In the kingdom of Bainsland royal children have a special responsibility, being bound to their own pagasus on their 12th birthdays.

The binding is part of an ancient treaty, strengthening the bonds of friendship between the two kingdoms. The Alliance was made almost 1,000 years ago, with special magicians helping the Pegasi and humans formally communicate

Sylvi is the fourth child of the king and queen and thus, not as important as her older brothers. At least she isn’t supposed to be. But when Sylvi is bound to her own pegasus, Ebon, things are different.

Sylvi and Ebon mind-speak to each other — without the help of a Speaker. It’s never happened before.  And while their bond is seen as gift, a way to create better understanding between two species, some don’t agree.

The pair is now a threat to the magicians, and the peace between their two nations is in question. Can Sylvi and Ebon maintain a delicate balance, or will politics pull them apart?

Reminiscent of McKinley’s previous works, “Pegasus” is not a fast book. The story seems to dreamily meander, drawing the reader slowly forward. There are adventures and action, but there’s less of a jolt when it comes into play.

McKinley dedicates a lot of time to developing the main characters, which pays off as the story unfolds. Some readers may struggle, however, with rambling jaunts that move action away from the story itself. For those willing to overlook some slight flaws, the payoff is gravity defying.

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: YA review, young adult

‘Secondhand Charm’ an enchanting fairy tale

November 5, 2010 No comments

SECONDHAND CHARM,” by Julie Berry, Bloomsbury USA Children’s Books, $16.99 (young adult)

Evie dreams of becoming a healer like her parents before her. Evie’s parents died during an influenza epidemic when she was just a baby, and she now lives in a small village with her grandfather.

But living in a secluded village makes achieving her dream difficult. It’s only when the king comes for a visit that Evie really has a chance to shine.

Evie seems to have inherited her parent’s gifts, and when one of the king’s courtiers becoming ill, it’s Evie who care for his ailments.

With gratitude, the king offers Evie and her best friend, Prissy, scholarships to the kingdom’s university. She hates to leave behind her grandfather but can’t believe her good fortune.

Or maybe not such good fortune.

The journey to the kingdom’s capital is anything but a simple carriage ride. Highway robbery and a treacherous trip on the high seas add to their adventurous trip.

Along the way, Evie discovers a heritage so fantastical, she can hardly believe it. Now all she has to do is survive.

Part adventure, part mystery, part romance, “Secondhand Charm” is an enchanting fairy tale that young readers won’t want to put down.

With just the right amount of twists and turns, author Julie Berry‘s tale is quite simply, charming. Her writing is easily accessible and characters likeable.

The one snag here, perhaps, is the somewhat predictable ending. However, that’s generally the way with fairy tales, and readers aren’t likely to find it a problem.

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: YA review, young adult

Recently released books for middle readers

November 1, 2010 No comments
WHERE THE STREETS HAD A NAME,” by Randa Abdel-Fattah, Scholastic Press, $17.99 (ages 9-12)

Thirteen-year-old Hayaat is on a mission — getting a handful of soil from her grandmother’s ancestral home in Jerusalem. Hayaat thinks that will save her beloved Sitti Zeynab’s life. But Hayaat and her family live behind the wall that divides the West Bank. Hayaat’s best friend, Samy, always manages to attract trouble. But luck is on the pair’s side as they undertake the journey to Jerusalem from the Palestinian Territories when Hayaat and Samy have a curfew-free day to travel.

THE DANGER BOX,” by Blue Balliett, Scholastic Press, $16.99 (ages 9-12)

Zoomy has never known his troubled, alcoholic father. But his father has made an appearance, and during that visit he leaves behind a mysterious box. The box contains only an old notebook wrapped in a blanket. From those contents come a friendship, a puzzle, a stranger and a death.

“VOYAGE ON THE GREAT TITANIC (Dear America),” by Ellen Emerson White, Scholastic, $12.99 (ages 9-12)

Five years ago, Margaret Ann Brady’s older brother left her in the care of an orphanage and immigrated to America. When the orphanage receives a request from an American woman looking for a traveling companion, Margaret is chosen. But tragedy is in Margret’s future when she steps aboard the Titanic. Margaret’s diary records the drama of hitting an iceberg and the sinking of an “unsinkable” ship.

“THE CANDYMAKERS,” by Wendy Mass, Little, Brown Books for Young Readers, $16.99 (ages 9-12)

Who can invent the next big candy? Four children from the town of Spring Haven are up to the challenge to find the tastiest confection in the country. There’s Logan, the Candymaker’s son, who can detect the color of chocolate by touch alone; Miles, the boy who is allergic to the color pink; Daisy, who can lift a 50-pound lump of taffy like it’s a feather; and Philip, the boy who’s always scribbling in a secret notebook. Some juicy revelations are going to come out before this competition is over.

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: ages 9-12, middle reader

New releases for YA readers

October 29, 2010 No comments
“YOU ARE NOT HERE,” by Samantha Schutz, Push, $17.99 (young adult)

Annaleah and Brian share something special. Sure, their friendship is secret, but that doesn’t matter. They have each other. But when Brian suddenly dies, Annaleah is left alone. She’s on the outside. No one knows she has lost something, too. Written in poem rather than traditional novel format, this is a unique look at loss and the recovery process that stands out in its honesty from start to finish.

“CROSSING OVER,” by Anna Kendall, Viking, $17.99 (young adult)

Roger Kilbourne can “cross over” into the land of the dead and speak with its residents. Roger escapes his brutal uncle who exploited his talents and gets a job in the palace laundry, thinking he’ll be safe. Instead, there are worse dangers and soon Roger is using his gift as a way to get the life he dreams of — even if it means bringing the dead back to the land of the living.

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: young adult

‘Jane’ a modern take on ‘Jane Eyre’

October 29, 2010 No comments

“JANE,” by April Lindner, Poppy, $17.99 (young adult)

April Linder‘s “Jane” is the perfect retelling of Charlotte Bronte’s gothic novel “Jane Eyre” — sort of.

Let me explain.

From the moment I picked it up, I loved the cover of “Jane.” It’s haunting and lonely and exactly what I would picture the cover to be. The mood and pacing delightfully brooding, and the story is compelling.

But this modern retelling has character flaws — main character flaws — that were hard for this “Jane Eyre” addict to swallow.

Jane’s parents have died and the college student is forced to drop out of college. Jane hopes to return to college and looks for work as a nanny. It doesn’t take long for her to find work caring for Maddy at Thornfield Park.

Maddy is the daughter of rock star Nico Rathburn whose career is on the brink of a huge comeback.

Jane is plain in looks and practical in her actions. Being surrounded by worldly people is a new experience for her, and she vows not to let it affect her. But no one can resist Nico, not even Jane. She’s drawn to him, to his every word, to his every action.

Nico is just as drawn to Jane as she is to him and their romance blossoms. But it’s not to be. Nico has a past, and hidden within it is an agonizing secret — one that Jane’s not sure she can live with.

I really wanted to like this book, and I did, for a while. Linder is spot on with ambiance and pacing, and Jane has the right amount of timid strength to counter Nico’s arrogance.

But I found Jane’s character flawed. Some of her decisions are unexpected, and I had to wonder what happened to her moral compass. In Bronte’s story, that moral compass helps define who Jane is and the decisions she makes.

Perhaps Linder chose this change to “modernize” or make the story her own, but for this purist, it was just out of place. If I had never read the source material, I probably wouldn’t have been bothered as much by this turn of events.

Along those lines, I found some of the language in “Jane” jarring. The use of the f-word and other profanity felt out of place and more for shock value than anything else.

Going into “Jane” I didn’t expect or want Linder’s story to be exactly the same as Bronte’s. What would be the point in that? Linder did such a good job setting the scene in the beginning, her own scene, her own story; I just wanted it to follow through.

For those less sensitive to language or not as worried about staying true to source material, “Jane” will most certainly be an enjoyable read. Linder is an excellent writer.

3.5 stars out of 5

© 2010 – 2011, Cracking the Cover. All rights reserved.

Categories: YA review, young adult