The past directly influences the future. In two books, one nonfiction and the other historical fiction based on true stories, authors John Green and Sharon Cameron share how actions big and small can make a world of difference.
Learn more about Everything is Tuberculosis: The History and Persistence of Out Deadliest Infection and Artifice below.
EVERYTHING IS TUBERCULOSIS: THE HISTORY AND PERSISTENCE OF OUR DEADLIEST INFECTION, by John Green, Crash Course Books, March 18, 2025, Hardcover, $28 (young adult, new adult, adult nonfiction)
Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is seen as a disease of poverty that walks the trails of injustice and inequity we blazed for it.
In 2019, author John Green met Henry Reider, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, preventable infectious disease to also be the deadliest, killing over a million people every year.
In Everything Is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world—and how our choices will shape the future of tuberculosis. —Synopsis provided by Crash Course Books
ARTIFICE, by Sharon Cameron, Scholastic Press, Feb. 4, 2025, Hardcover, $19.99, Paperback, $13.99 (young adult)
Isa de Smit was raised in the vibrant, glittering world of her parents’ small art gallery in Amsterdam, a hub of beauty, creativity, and expression, until the Nazi occupation wiped the color from her city’s palette. The “degenerate” art of the Gallery de Smit is confiscated, the artists in hiding or deported, her best friend, Truus, fled to join the shadowy Dutch resistance. And masterpiece by masterpiece, the Nazis are buying and stealing her country’s heritage, feeding the Third Reich’s ravenous appetite for culture and art.
So when the unpaid taxes threaten her beloved but empty gallery, Isa decides to make the Nazis pay. She sells them a fake–a Rembrandt copy drawn by her talented father–a sale that sets Isa perilously close to the second most hated class of people in Amsterdam: the collaborators. Isa sells her beautiful forgery to none other than Hitler himself, and on the way to the auction, discovers that Truus is part of a resistance ring to smuggle Jewish babies out of Amsterdam.
But Truus cannot save more children without money. A lot of money. And Isa thinks she knows how to get it. One more forgery, a copy of an exquisite Vermeer, and the Nazis will pay for the rescue of the very children they are trying annihilate. To make the sale, though, Isa will need to learn the art of a master forger, before the children can be deported, and before she can be outed as a collaborator. And she finds an unlikely source to help her do it: the young Nazi soldier, a blackmailer and thief of Dutch art, who now says he wants to desert the German army.
Yet, worth is not always seen from the surface, and a fake can be difficult to spot. Both in art, and in people. Based on the true stories of Han Van Meegeren, a master art forger who sold fakes to Hermann Goering, and Johann van Hulst, credited with saving 600 Jewish children from death in Amsterdam, Sharon Cameron weaves a gorgeously evocative thriller, simmering with twists, that looks for the forgotten color of beauty, even in an ugly world. —Synopsis provided by Scholastic Press
*This post is part of a larger summer reading list, which consists of recommendations but not individual book reviews.
Copyright © 2025 Cracking the Cover. Unless otherwise noted, all books — digital and physical — have been provided by publishers in exchange for honest and unbiased reviews. All thoughts and opinions are those of the reviewer.
